By Inna Rogatchi— BEREISHIT ILLUSTRATED Part I of II with Highlights Part II of the Introduction to the Bereishit Illustrated project can be read here. Inna Rogatchi © Light Solo. Watercolor, wax pastel, oil pastel, encre l’alcool, Luminance Caran d’Ache, pigment of bronze, pigment of pale gold on authored original pigment print on cotton paper…
By Inna Rogatchi, Times of Israel— Reminiscence on the first yahrzeit of Rabbi Lord Jonathan Sacks Chesvan 20th, 5781, the last year, was on Shabbat. In the secular calendar, it was November 7th, 2020. On Motzei Shabbat, in that special Shabbat-blessed mood being both relaxed and uplifted, we turned on our devices. And got the…
By Inna Rogatchi, Times of Israel— Michael Rogatchi Art & Aesthetic of a Modern-Day Spirituality Michael Rogatchi’s now widely known Forefathers works have originated as his Uzhpitzim series, personalised images of Jewish patriarchs and the formatting leaders of the nation. Each of those modern classic images has its own history, and they were not created…
By Inna Rogatchi, Times of Israel— The story of two Alexes appeared to me from old photographs, new documents, all kinds of papers, maps, clips, and fact leads of my ongoing art historical research with regard to the art looted by the Nazis during World War II, and on my family history as well. This…
By Inna Rogatchi, Rogatchi Foundation— The Joy of Purim in Michael Rogatchi’s Art Joy with Tears In Jewish tradition, we have ten major holidays annually, with only two of them, Simcha Torah and Purim, is about exalted joy. And on Purim, that joy comes after miraculous rescue from a mortal danger and prospect of total…
By Inna Rogatchi, Times of Israel—- It was a sunny March day in Washington D.C., busy, promising and energetic. My husband Michael and I were at the office of the legendary organisation in the down-town. NCSEJ, National Council for Soviet Jewry has earned its name by standing for the Soviet refuseniks during the decades, doing…
By Inna Rogatchi, Times of Israel—- I do not like ceremonies. The officialdom in them obscures, in my understanding, the essence. I also doubt a sincerity in measured events which is always individual. Those who are sincere at ceremonies are sincere in general, many others are on duty. Among the speeches, there are so many…
By Inna Rogatchi, Times of Israel— I always thought that it is impossible to explain our life to anyone who did not live through it. When I wrote my books on Soviet realities, taught the contemporary Soviet history in several Western universities, authored numerous columns and articles on what we lived through, was given hundreds…
By Inna Rogatchi, Times of Israel—- Maestro Lotoro is an incredibly busy man. He conducts, he plays, he records. He teaches, he researches, he writes. He prepares music scores for publications, he supervises huge edition of unique and historically important musical collections. He travels non-stop meeting people and searching for unique scores. He works with…
By Inna Rogatchi, Times of Israel— Return from the Abyss Is not the hypothesis on ‘a return from an abyss‘ an oxymoron? But in a still hard to comprehend segment of modern history, this very process has become a reality from the summer of 1945 onward for a massive amount of people. For those several…